Theology Prof Highlights Role of Cleric in Les Mis
January 17, 2013, at 5:28 PM
By Matthew Archbold |
Dr. Doris Donnelly, professor of theology and director of the Cardinal Suenens Center at John Carroll University in Cleveland, wrote an interesting piece in theWall Street Journal highlighting the role of the bishop in the novel Les Miserables by Victor Hugo — and in the Broadway musical that is now showing in movie theatres:
Fans of “Les Misérables” on film or stage may be surprised to know that not everyone in France was of good cheer when Victor Hugo published the book in 1862. The anticlerical set was especially offended by the pivotal role of the Bishop of Digne, who helped determine the course of the novel by resuscitating the soul of Jean Valjean.
As Hugo worked on the novel, his son Charles, then in his 20s, objected to the reverential treatment of the bishop. He argued to his father that the portrayal gave undeserved respect to a corrupt clergy, bestowing credibility on a Roman Catholic Church opposed to the democratic ideals that he and his father held. Charles instead proposed that the catalyst for Jean Valjean’s transformation be a lawyer or doctor or anyone else from a secular profession.
The pushback didn’t work. Not only did Hugo hold his ground, but he amplified the importance of Charles-François Bienvenue Myriel, affectionately known in the novel as Monseigneur Bienvenue (Bishop Welcome). The book’s first hundred pages or so are a detailed chronicle of Myriel’s exemplary life, showing that his intervention on behalf of Jean Valjean was part of a long track record and not a singular aberration. Apparently Hugo recognized no contradiction between his anticlericalism and the possibility—or certainty—that grace could be mediated by a just priest who was transparent to the divine and never betrayed the human.
Thirty years earlier, Hugo had solidified his anticlerical credentials by crafting the repulsive, licentious Archdeacon Claude Frollo in “Notre Dame de Paris.” It was time to try a new approach in “Les Misérables,” so he rendered an ideal priest against whom clergy could measure their fidelity to tenderness and mercy. His expectation—as we know from the contemporaneous diary of his wife, Adele—was that corrupt priests would be shamed and indicted by comparison with a good one.
You can read the entire piece at The Wall Street Journal.
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